As I make more books and things (collections of postcards are in the works), I increasingly think of photos in series. I don’t deny the power of a single, amazing photograph, but there is a value in seeing photographs as part of a collection of related images. I have long appreciated the powerful work of […]
Tag: Bernd Becher
Fall Diptych
Diptychs (and triptychs). Thinking about photos in groups: twos, threes, and fours, maybe more (the grids of photos by the Bernd & Hilla Becher, e.g.). How does pairing photos change them? How does looking for pairs alter the process of photographing? I don’t know, but I like to think about it.
A Natural History of Infrastructures
I find something compelling about Bernd and Hilla Becher’s book, Typologies of Industrial Buildings. Juxtaposing numerous individual examples of industrial structures highlights their similarities and their differences. It also draws attention to often overlooked or ignored architecture, encouraging us to see design and aesthetic choices, to view these utilitarian structures as art. While each of […]
Singular photographs are fragments, or perhaps illustrations waiting for a story to give them context. But series of photographs seem to prompt a different kind of reflection. Collect together enough individual fragments and arrange them in some order, and the begin to reveal something you can’t see when looking at just one. The photographer engages […]
Ruin is Formal
Linger for a moment to think about ruin and decay. What if ruin is not the result of neglect but is, instead, an expression of value? Ruin and decay are not accidents but choices, as is our fascination with them. The one, perhaps, creates the other. We live and wander amongst ruin. Ruin dots the […]
More Nomadic Aesthetics
There by itself, in the weak sun that fall afternoon, The Aermotor windmill turned slowly in the breeze, marking time with a rhythmic scraping of the rotating axle. It was a sort of sentinel, standing watch over a barbed wired fence and wide open range. At some point, this windmill probably served some purpose, but […]
Nomadic Aesthetics
For years I couldn’t imagine walking into an office building or a bank or department store or any other public space and not seeing an ashtray. Not because I noticed them, but because they were ubiquitous. Standing ashtrays just inside the entry doors, ashtrays on counters next to the bank teller, ashtrays attached to the […]