In 1974 Susan Sontag published her “Shooting America,” which included a critique of Bob Adelman’s Down Home and Michael Lesy’s Wisconsin Death Trip. Along with Sontag’s reflections on documentary photographers’ predilection for the poor, she comments on the growing preference for “raw unliterary record” in both photography and writing. The emerging literary taste for “unedited […]
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Haunted by tacit imperatives …
Even when photographers are most concerned with mirroring reality, they are still haunted by tacit imperatives of taste and conscience. … In deciding how a picture should look, in preferring one exposure to another, photographers are always imposing standards on their subjects. Susan Sontag, “In Plato’s Cave,” in On Photography, 6.